{"title":"Literature","description":"","products":[{"product_id":"golden-apple-of-the-sun-br-teju-cole","title":"Golden Apple of the Sun","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003eIn the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks. Unlike those illustrious forbears, Cole left his arrangements entirely to chance, “the bowls and plates moving in their unpredictable constellations.” What emerges is a surprising portrait, across time, of one kitchen counter in one home at a time of social, cultural, and political upheaval. Alongside the photographs is a long written essay, as wide-ranging in its concerns—hunger, fasting, mourning, slavery, intimacy, painting, poetry and the history of photography—as the photographs are delimited in theirs. The text and photographic sequences are interspersed with an anonymous handwritten eighteenth century cookbook from Cambridge. \u003cem\u003eGolden Apple of the Sun\u003c\/em\u003e is a luminous and humane work, presented with the formal boldness and oblique intelligence we have come to expect from Teju Cole.\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eiVCSvm6v1A\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan style=\"text-decoration: underline;\" data-mce-style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391117770940,"sku":"9781913620219","price":50.0,"currency_code":"USD","in_stock":false},{"title":"Signed","offer_id":39391117803708,"sku":"9781913620219S","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover574.jpg?v=1770426886"},{"product_id":"politics-and-passions-br-anna-ostoya-chantal-mouffe","title":"Politics and Passions","description":"\u003cp class=\"p1\"\u003eArt can contribute to changing the world. It can bring new forms of subjectivity. We need to bring people to see things differently. Political subjectivities are not just an expression of a position you’re in. They are discursively constructed in a multiplicity of practices.‘ \u003cem\u003eChantal Mouffe\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003c\/strong\u003eIn 2009, the artist Anna Ostoya created a booklet with textual collages using an essay by the political theorist Chantal Mouffe, ‘Politics and Passions: The Stakes of Democracy’ (2002). In the essay, Mouffe critiqued the then-dominant ‘beyond left and right’ politics of neoliberalism and warned of its dangers – the rise of right-wing populist parties. Fascinated by Mouffe’s strikingly prophetic ideas, as well as her bold call to fight the status quo in order to radicalise democracy and to prevent violence, Ostoya returned to the booklet in 2019. She composed for it a series of portraits based on sketches of people on the New York City subway and on reproductions of her paintings and collages from the preceding decade. She also conducted a conversation with Mouffe about the politics of the last forty years, about the contemporary moment and about art, which is included in this publication.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDISCOURSE is a series of small books in which a theorist, artist, or writer engages in a dialogue with a theme, an artwork, \u003c\/span\u003e\u003cspan\u003ean idea, or another individual across an extended text. \u003c\/span\u003e\u003cspan\u003eExplore\u003c\/span\u003e\u003cspan\u003e the full series \u003ca href=\"https:\/\/mackbooks.us\/collections\/discourse\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kvHLHpU5pAg\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391122784444,"sku":"9781913620196","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/DISCOURSE_9.jpg?v=1776770716"},{"product_id":"archive-br-bertien-van-manen","title":"Archive","description":"\u003cp class=\"p1\"\u003eSince the 1970s, Dutch photographer Bertien van Manen has created intimate and poignant photographs of commonplace scenes, produced during extended trips to Europe, America, China and the former Soviet Union. Van Manen has established herself as a unique voice in documentary photography, her visual language imbued with empathy and respect for the everyday lives of her subjects. This book presents an extensive overview of Van Manen’s work, alongside diary entries and previously unpublished selections from her archive.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe book has been edited and designed by renowned Dutch designer Hans Gremmen to offer a unique insight and overview of Van Manen’s history, establishing this publication as the ultimate reference work on her oeuvre.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YKpYguSKl6U\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Signed","offer_id":39391136809148,"sku":"9781912339662S","price":75.0,"currency_code":"USD","in_stock":true},{"title":"Unsigned","offer_id":39391136776380,"sku":"9781912339662","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover580.jpg?v=1774956164"},{"product_id":"the-shabbiness-of-beauty-br-moyra-davey-peter-hujar","title":"The Shabbiness of Beauty","description":"\u003cp\u003e\u003cem\u003eThe Shabbiness of Beauty\u003c\/em\u003e is a visual dialogue that crosses generational divides with the easy intimacy of a late-night phone call. Multidisciplinary artist Moyra Davey delved into Peter Hujar’s archives and emerged mainly with little-known, scarcely seen images. In response to these, Davey created her own images that draw out an idiosyncratic selection of shared subjects. Side by side, the powerfully composed images admire, tease, and enhance one another in the manner of fierce friends, forming a visual exploration of physicality and sexuality that crackles with wit, tenderness, and perspicacity. Spiritually anchored in New York City – even as they range out to rural corners of Quebec and Pennsylvania – these images crystallise tensions between city and country, human and animal. Nudes pose with unruly chickens; human bodies are abstracted toward topography; seascapes and urban landscapes share the same tremulous plasticity. These continuities are punctuated by stark differences of approach: Davey’s self-aware postmodernism against Hujar’s humanism and embrace of darkroom manipulation. The rich dialogue between these photographs is personal and angular, ultimately offering an illuminating reintroduction to each celebrated artist through communion with the other’s work.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ddrBR_H4VCQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391141462204,"sku":"9781913620202","price":50.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":39391141494972,"sku":"9781913620202S","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover488_8a0a4391-e4f8-4ff2-94bb-1692aca051bf.jpg?v=1774351350"},{"product_id":"photographys-neoliberal-realism-br-jorg-colberg","title":"Photography's Neoliberal Realism","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eThe paperback edition is now sold out. You can purchase the ebook via this listing, \u003ca style=\"color: #2b00ff;\" href=\"https:\/\/geo.itunes.apple.com\/book\/photographys-neoliberal-realism\/id1535194159\"\u003eApple Books\u003c\/a\u003e and \u003ca style=\"color: #2b00ff;\" href=\"https:\/\/books2read.com\/u\/bzgPqL?store=amazon\"\u003eKindle Store\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eConfronting the work of widely celebrated photographers Annie Leibovitz, Gregory Crewdson and Andreas Gursky, \u003cem\u003ePhotography’s Neoliberal Realism\u003c\/em\u003e examines how these artists produce capitalism’s equivalent of the Soviet Union’s socialist realism by giving photographic form to widely held and rarely questioned beliefs and ideas. The ideological framework that Colberg terms ‘neoliberal realism’ serves to cement an economic system whose many fault lines are becoming increasingly clear, such as staggering inequality and racial disparities. This extended essay provides an alternative reading of photographic works laden with artifice, and argues how focusing on this artifice misses the more far-reaching ways such images operate in our visual economy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDISCOURSE is a series of small books in which a theorist, artist, or writer engages in a dialogue with a theme, an artwork, \u003c\/span\u003e\u003cspan\u003ean idea, or another individual across an extended text. \u003c\/span\u003e\u003cspan\u003eExplore\u003c\/span\u003e\u003cspan\u003e the full series \u003ca href=\"https:\/\/mackbooks.us\/collections\/discourse\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":39391152832700,"sku":"9781913620165","price":12.0,"currency_code":"USD","in_stock":false},{"title":"Ebook","offer_id":42742123692220,"sku":"9781913620165E","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/DISCOURSE_17.jpg?v=1771440482"},{"product_id":"between-victor-burgin","title":"Between","description":"\u003cp class=\"p1\"\u003eMy decision to base my work in cultural theory, rather than traditional aesthetics, has resulted in work whose precise ‘location’ is uncertain, ‘between’: between gallery and book; between ‘visual art’ and ‘theory’; between image and narrative – ‘work’ providing work between reader and text.\u003cbr\u003e\u003cbr\u003e   Victor Burgin, \u003cem\u003eBetween\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eFirst published in 1986 and long out of print, \u003cem\u003eBetween\u003c\/em\u003e charts Burgin’s passage from early conceptual art, via appropriationist works and critiques of mass media imagery to a series of photo-texts informed by psychoanalysis, semiotics, cinema studies and feminism. Photographer, critic and curator David Campany writes: “Between was first published into a time when the art markets came to dominate and dictate as never before. Art was no longer that stubborn space of resistance and reflection; it was to be part of the spectacle of neoliberal capitalism in which image is all. Self-congratulatory art fairs, artists as media celebrities, bloated auction prices, and the reduction of criticality to recognizable and increasingly empty gestures. … Burgin makes photographic work like no other artist, but his themes and motifs are drawn from experiences common to us all – the modern city, the structures of family, language as something that forms and reforms us, the power of images, principles of government, memory and history. And yet, encouraged by the media to look to art for quick messages, some audiences and critics have found his work ‘inaccessible’. Actually Burgin’s work is among the most accessible I know, if by that we mean ‘easy to get into’. It’s the \u003cem\u003egetting out\u003c\/em\u003e that’s tricky.” \u003cbr\u003e\u003cbr\u003eInterweaving Burgin’s visual work with fragments from interviews, talks and letters, \u003cem\u003eBetween\u003c\/em\u003e offers insights into the relation of ‘theory’ to ‘practice’ in a form of art which has undermined the basis of this distinction. This MACK facsimile makes Burgin’s historic and groundbreaking book available for the first time in over three decades. \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391169216700,"sku":"9781913620004","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover443.jpg?v=1729197342"},{"product_id":"allan-sekula-art-isnt-fair-further-essays-on-the-traffic-in-photographs-and-related-media-br-sally-stein-ina-steiner-eds","title":"Allan Sekula, Art Isn't Fair: Further Essays on the Traffic in Photographs and Related Media","description":"\u003cp class=\"p1\"\u003e\u003cem\u003eArt Isn’t Fair\u003c\/em\u003e is the title of the last video completed in 2012 by Allan Sekula (1951-2013), a work commenting on the rise of art fairs as yet another international gathering of moneyed elites. This new compilation of textual, photographic and filmic essays underscores Sekula’s longstanding engagement with the many intersections between art, photography, and the shifting terrain of power struggles from both a local and international perspective. Bringing together an ensemble of works that Sekula never had the chance to publish together before his death in 2013, this new collection expands our sense of the persistent depth and breadth of Sekula’s concerns and commitments. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eThe volume includes the widely-cited extended Sekula essay, “The Body and the Archive” (1986), less well-known but equally comprehensive historical critiques such as “Photography between Labour and Capital” (1983), the artist’s reconsideration of his own early work, plus numerous essays on other artists and photographers from Walker Evans to Robert Mapplethorpe, Susan Meiselas, James Benning and the contemporary Canadian masters of political montage, Carole Condé \u0026amp; Karl Beveridge. The volume concludes with the narrative transcript along with select stills from \u003cem\u003eArt Isn’t Fair\u003c\/em\u003e. \u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391177703612,"sku":"9781912339846","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover449_fa82034e-eeb9-47b4-9fed-9520cef8cd40.jpg?v=1770426789"},{"product_id":"the-adventures-of-guille-and-belinda-and-the-illusion-of-an-everlasting-summer-br-alessandra-sanguinetti-first-edition-third-printing","title":"The Adventures of Guille and Belinda and The Illusion of an Everlasting Summer","description":"\u003cp class=\"p1\"\u003eThis book presents Alessandra Sanguinetti’s return to rural Argentina to continue her intimate collaboration with Belinda and Guillermina, two cousins who, as girls, were the subjects of the first book in her ongoing series,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams\u003c\/em\u003e. \u003cbr\u003e\u003cbr\u003eIn this second volume,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Illusion of An Everlasting Summer\u003c\/em\u003e, we follow Guillermina and Belinda from ages 14 to 24 as they negotiate the fluid territory between adolescence and young adulthood. Still surrounded by the animals and rural settings of their childhood,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEverlasting Summer\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edepicts the two cousins’ everyday lives as they experience young love, pregnancy, and motherhood - all of which, perhaps inevitably, results in an ever-increasing independence from their families and each other. Similarly, we can sense a shift in Sanguinetti's relationship to the cousins and the work they make: from insular childhood collaborators to three women with lives branching in different directions. Though the passage of time is one of the most palpable tensions at work in these photographs, An\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eEverlasting Summer\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003edeepens Sanguinetti's exploration of the timeless, universal language of female intimacy and friendship.\u003cbr\u003e \u003cbr\u003eMACK will be publishing an ongoing series of formally similar volumes from the body of work\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Adventures of Guille and Belinda\u003c\/em\u003e, commencing with a reprint of the first book\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein early 2021.\u003c\/p\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\n\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391183077564,"sku":"9781912339976","price":65.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":39391183110332,"sku":"9781912339976S","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover398_e4bdd96f-0437-474c-b07b-06914f5028c3.jpg?v=1770426915"},{"product_id":"an-interview-with-lewis-baltz","title":"An Interview with Lewis Baltz","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eThe paperback edition is now sold out. You can purchase the ebook via this listing, \u003ca style=\"color: #2b00ff;\" href=\"https:\/\/geo.itunes.apple.com\/us\/book\/an-interview-with-lewis-baltz\/id1547408623?ls=1\"\u003eApple Books\u003c\/a\u003e and \u003ca style=\"color: #2b00ff;\" href=\"https:\/\/books2read.com\/u\/me7VrA\"\u003eKindle Store\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\"The tension implicit in any photograph is the tension between an inert, black-and-white, two-dimensional object, and an event that actually existed in the phenomenal world. A successful photograph mediates, though never completely resolves that tension.” \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cbr\u003eIn 1972, as his career was beginning to take off, Lewis Baltz conducted a revealing interview, his first considered statement about photography. Never published, the interview has recently resurfaced, and is printed here for the first time. In an increasingly sardonic exchange Baltz describes the character of his practice, articulates his position within and against the world of photography, and comments on his intellectual heritage and professional ambition. A penetrating exploration of the character of his medium, Baltz’s artistry and mercurial presence are strikingly laid bare. \u003cbr\u003e\u003cbr\u003eBaltz’s interview is fully annotated with an introductory essay by Duncan Forbes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv title=\"Page 26\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDISCOURSE is a series of small books in which a theorist, artist, or writer engages in a dialogue with a theme, an artwork, \u003c\/span\u003e\u003cspan\u003ean idea, or another individual across an extended text. \u003c\/span\u003e\u003cspan\u003eExplore\u003c\/span\u003e\u003cspan\u003e the full series \u003ca href=\"https:\/\/mackbooks.us\/collections\/discourse\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":39391195168956,"sku":"9781913620028","price":9.0,"currency_code":"USD","in_stock":false},{"title":"Ebook","offer_id":42749041705148,"sku":"9781913620028E","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/DISCOURSE_13.jpg?v=1776165715"},{"product_id":"portraits-and-dreams-wendy-ewald","title":"Portraits and Dreams","description":"\u003cp class=\"p1\"\u003eWhen Wendy Ewald arrived in the heart of the Appalachian Mountains in 1975, she began a project that aimed to reveal the lives, intimate dreams and fears of local schoolchildren. Tasked with finding authentic ways of representing the lives of these children, she gave each of them a camera and interviewed them about their childhood in the mountains. Through these intriguing transcripts and photographs, we discover the lives of families as seen through the eyes of their children: where domestic, rural life is understood with startling openness and depth. In \u003cem\u003ePortraits and Dreams\u003c\/em\u003e, life’s most mysterious realities – love, loss, violence, death, new life – are given voice through an altogether novel discovery: the camera. We learn the eloquence and originality with which children see the world and we see a generous new way of engaging children in the possibilities of the photographic medium.  \u003cbr\u003e\u003cbr\u003eThis revised and expanded edition of Ewald’s now-rare book, first published in 1985, and called “An American masterpiece,” offers access to a different and broadened view of the rural south over the span of 35 years, and includes contemporary pictures and stories by eight of the students from the original publication.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391199789244,"sku":"9781912339891","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover395.jpg?v=1774956131"},{"product_id":"holy-bible-first-printing-br-adam-broomberg-oliver-chanarin","title":"Holy Bible (First printing)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eViolence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, \u003cem\u003eHoly Bible,\u003c\/em\u003e Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance. The format of Broomberg and Chanarin's illustrated \u003cem\u003eHoly Bible\u003c\/em\u003e mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe signed edition is signed by Adam Broomberg and Oliver Chanarin. \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391219548348,"sku":"9781907946417_1","price":550.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":42035686375612,"sku":"9781907946417S_1","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover144_0b4b4cbb-68f2-4858-b83c-17bcb4aad266.jpg?v=1718594135"},{"product_id":"migrant-mother-migrant-gender-sally-stein","title":"Migrant Mother, Migrant Gender","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cmeta charset=\"utf-8\"\u003eEbook available via this listing, on \u003ca style=\"color: #2b00ff;\" href=\"https:\/\/geo.itunes.apple.com\/us\/book\/id6447069908?ls=1\" data-mce-fragment=\"1\"\u003eApple Books\u003c\/a\u003e and \u003ca style=\"color: #2b00ff;\" href=\"https:\/\/books2read.com\/u\/bry5Ve?store=amazon\" data-mce-fragment=\"1\"\u003eKindle Store\u003c\/a\u003e.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"I contend that in close comparison with Marian icons, the reason why this photograph continues to command attention is that it is not so simple or familiar a variant of the holy family imagery as it first appears.\"\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSally Stein reconsiders Dorothea Lange’s iconic portrait of maternity and modern emblem of family values in light of Lange’s long-overlooked ‘Padonna’ pictures and proposes that ‘Migrant Mother’ should in fact be seen as a disruptive image of women’s conflictual relation to home, and the world. Stein is an American academic and cultural theorist living in Los Angeles. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens. \u003c\/p\u003e\n\u003cp\u003eDr. Stein, Professor Emerita, UC Irvine, is an independent scholar based in Los Angeles who continues to research and write about 20\u003csup\u003eth\u003c\/sup\u003ecentury photography in the U.S. and its relation to broader questions of culture and society. She has written about New Deal FSA photographers—particularly Dorothea Lange, Marion Post Wolcott, Jack Delano—as well as the contested image of FDR.  Her numerous essays about popular mass media – \u003cem\u003eLadies Home Journal\u003c\/em\u003e, \u003cem\u003eLife \u003c\/em\u003eand\u003cem\u003e Look\u003c\/em\u003e – extend her ongoing study of the various aspects of the rise of color photography. The interrelated topics she most often engages concern the multiple effects of documentary imagery, the politics of gender, and the status and meaning of black and white and color imagery on our perceptions, beliefs, even actions as consumers and citizens.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRead an extract from Sally Stein's essay on our blog \u003ca title=\"Sally Stein Migrant Mother Migrant Gender essay DISCOURSE\" href=\"https:\/\/mackbooks.co.uk\/blogs\/news\/tuesday-21-sally-stein\"\u003ehere\u003c\/a\u003e.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDISCOURSE is a series of small books in which a theorist, artist, or writer engages in a dialogue with a theme, an artwork, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ean idea, or another individual across an extended text. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eExplore\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e the full series \u003ca href=\"https:\/\/mackbooks.us\/collections\/discourse\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":39391259427004,"sku":"9781912339839","price":12.0,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":42749839474876,"sku":"9781912339839E","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/DISCOURSE_11.jpg?v=1758288688"},{"product_id":"a-dark-thread-br-henry-wessel","title":"A Dark Thread","description":"\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eFrench language only\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003cspan style=\"font-size: 0.875rem;\"\u003eThe work of the recently deceased Bay-area photographer, Henry Wessel, is renowned for its fragmentary and compelling nature, each image urging imaginative leaps towards the fatalism and moral ambiguity of noir film and fiction. Every Wessel photograph is a gateway to a wild array of extraordinary storylines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis project, \u003ci\u003eA Dark Thread\u003c\/i\u003e, takes this semblance of an idea further by commissioning over a dozen renowned noir writers to produce a short story in response to one or more of Wessel’s black and white photographs. This first version of the project brings together French translations of stories by Art Taylor, Ivy Pochoda, and Alexander MacLeod, together with the photographs that inspired them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eStraddling the space between literary publishing and photobook, this slim volume offers a new and original means of understanding Henry Wessel’s photography and accompanies a retrospective of his work at the Maison de la Photograhie in Paris (June 2019).\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391332991164,"sku":"9781912339280","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/ADark_Cover1.jpg?v=1742989779"},{"product_id":"paul-s-book-br-collier-schorr","title":"Paul’s Book","description":"\u003cp\u003e\u003cb\u003e\u003c\/b\u003e'There is a common assumption about youth which is: Youth is about youth. But that isn’t really true. Youth is really about the past. Youth is not the pool that young men gaze adoringly into; it is the pool that old men gaze in, in order to measure the distance their bodies have traveled’. \u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e- Collier Schorr\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCollier Schorr met Paul Hameline, a young French artist and model, in New York in 2015. A friend of friend, he came to her home for a ‘go-see’, which is when a photographer gets to see how a model looks in front of the camera. Paul’s family lives in the Marais section of Paris around the corner from the hotel Collier stays at while in Paris, so they began to meet and to make a project that lasted two years in which Collier would visit Paul at his parents’ house and take pictures and talk. The idea was for Paul and Collier to experience photography as a social space, a conversation in which his body and her eyes could try and understand each other’s fascinations and fantasies. Many of the pictures were published in \u003ci\u003eRe Edition\u003c\/i\u003e magazine. \u003ci\u003ePaul’s Book\u003c\/i\u003e expands that magazine story to form a larger piece about the way in which a photographer and model can search for some greater revelations with the simplest movements and various states of undress.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391380766908,"sku":"9781912339563","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover281_3f31b204-99ec-4888-9332-3ee15a12e392.jpg?v=1718599562"},{"product_id":"stable-vices-br-joanna-piotrowska-1","title":"Stable Vices","description":"\u003cp class=\"p1\"\u003eThe themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, \u003cem\u003eStable Vices\u003c\/em\u003e focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist Carol Gilligan. Piotrowska appropriates the formulaic step-by-step approach of the manuals but instead of showing two people in contact, she photographs the (re-) actions of one woman in conflict with an unknown, absent subject. While Gilligan argues in her book that teenage girls risk losing their voice in patriarchal societies, Piotrowska seeks to re-present their agency in corporeal form, and indicates – through the invisible opponent – the underlying pressures they have to confront. A second series reveals precarious shelters made out of furniture and blankets, situated in domestic spaces. Sculptural in form, these temporary refuges nod to the children’s game of making houses at home, as if domestic space would not provide enough protection. The constructions also reference the makeshift ‘homes’ of homeless people. In a third series, Piotrowska focuses on cages and comparable spaces created for humans, drawing parallels between the lives of certain communities and animals, and the environments in which they live.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe book includes essays from \u003c\/span\u003e\u003cspan\u003eSara De Chiara, Joanna Bednarek \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003eDorota Masłowska.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-qYp9SkVmHk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Signed","offer_id":39391381651644,"sku":"9781912339396S","price":60.0,"currency_code":"USD","in_stock":true},{"title":"Unsigned","offer_id":39391381618876,"sku":"9781912339396","price":55.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover484.jpg?v=1718604556"},{"product_id":"the-canary-and-the-hammer-br-lisa-barnard","title":"The Canary and The Hammer","description":"\u003cp\u003ePhotographed across four years and four continents, \u003ci\u003eThe Canary and The Hammer\u003c\/i\u003e details our reverence for gold and its role in humanity’s ruthless pursuit of progress. Through a mix of image, text and archival material, the third book by British artist Lisa Barnard provides a fascinating insight into the troubled history of gold and the complex ways it intersects with the global economy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGold is ubiquitous in modern life; the mineral is concealed at the heart of much of the technology we use and is, most fundamentally, a potent symbol of value, beauty, purity, greed and political power. \u003ci\u003eThe Canary and The Hammer \u003c\/i\u003estrives to connect these disparate stories—from the mania of the gold rush and the brutal world of modern mining, to the sexual politics of the industry and gold’s often dark but indispensable role at the heart of high-tech industry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrompted by the financial crisis of 2008 and its stark reminder of the global west’s determination to accumulate wealth, Barnard sets out to question gold’s continued status as economic barometer amidst new intangible forms of technological high—finance. By addressing this through photography, Barnard in turn raises the question of how her chosen medium can respond to such abstract events and concepts. The result is an ambitious project, one sketching a personal journey in which she ultimately tackles the complexity of material representation in these fragmented and troubling times.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391392596156,"sku":"9781912339334","price":50.0,"currency_code":"USD","in_stock":false},{"title":"Signed","offer_id":39391392628924,"sku":"9781912339617","price":50.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/TheCanary_cover1.jpg?v=1742989774"},{"product_id":"holy-bible","title":"Holy Bible (Second printing)","description":"\u003cp\u003eViolence, calamity and the absurdity of war are recorded extensively within The Archive of Modern Conflict, the largest photographic collection of its kind in the world. For their most recent work, \u003cem\u003eHoly Bible,\u003c\/em\u003e Adam Broomberg and Oliver Chanarin mined this archive with philosopher Adi Ophir's central tenet in mind: that God reveals himself predominantly through catastrophe and that power structures within the Bible correlate with those within modern systems of governance. The format of Broomberg and Chanarin's illustrated \u003cem\u003eHoly Bible\u003c\/em\u003e mimics both the precise structure and the physical form of the King James Version. By allowing elements of the original text to guide their image selection, the artists explore themes of authorship, and the unspoken criteria used to determine acceptable evidence of conflict. Inspired in part by the annotations and images Bertolt Brecht added to his own personal bible, Broomberg and Chanarin's publication questions the clichés at play within the visual representation of conflict.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe signed edition is signed by Adam Broomberg and Oliver Chanarin. \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391494340796,"sku":"9781907946417_2","price":345.0,"currency_code":"USD","in_stock":false},{"title":"Signed","offer_id":39391494373564,"sku":"9781907946417S_2","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover144_0259a1e5-b372-499b-b574-f8df215455a2.jpg?v=1718594208"},{"product_id":"the-island-position-br-john-lehr","title":"The Island Position","description":"\u003cp\u003eThe “Island Position” is an advertising term that describes the premium position of an advertisement surrounded solely by editorial content. In \u003cem\u003eThe Island Position\u003c\/em\u003e, John Lehr explores the facades of American commercial spaces that are threatened by the emergence of e-commerce. In a rush to remain relevant, storeowners emblazon their windows and walls with anything that will grab attention: tessellations of quick-fading ads, floor-to-ceiling decals of fanned money or flowing hair, haphazard product displays, and desperate, hand-scrawled invitations. They repaint, renovate, rebrand, and rearrange, gestures which point to the desires and anxieties of people who are being left behind as our thumbs lead us into the new economy. The work presents a turning point in our cultural landscape: the transition from a physical culture to a virtual one.\u003c\/p\u003e\n\u003cp\u003eMasquerading as a typology of storefronts, the surfaces in \u003cem\u003eThe Island Position\u003c\/em\u003e embody something unseen: the people who constructed them. The signage is not simply an appeal to consumption, but a typography of emotion: vulnerability, ingenuity, distress, and hope—the language of capitalism as a form of public address. Lehr is not interested in what is for sale. He is interested in what is at stake.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIncludes a short story by George Saunders\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391500697788,"sku":"9781912339327","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Signed","offer_id":39391500730556,"sku":"9781912339327S","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/TheIslandPosition_Cover1.jpg?v=1742989754"},{"product_id":"kodachrome-br-luigi-ghirri","title":"Kodachrome","description":"\u003cp\u003eIn 1978 Luigi Ghirri self-published his first book, an avant-garde manifesto for the medium of photography and a landmark in his own remarkable oeuvre.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ehas long been out of print and on the 20th anniversary of Ghirri’s death, MACK is proud to publish the second edition.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘Ghirri fights to maintain our ability to see. His works are powerful devices for the re-education of the gaze. They alter the perception we have of the world without proposing a single path to follow, rather they provide us with the tools we need to find the one we’re looking for.’\u003c\/em\u003eFrancesco Zanot\u003c\/p\u003e\n\u003cp\u003ePart amateur photo-album, Ghirri presents his surroundings in tightly cropped images, making photographs of photographs and recording the Italian landscape through it’s adverts, postcards, potted plants, walls, windows, and people. His work is deadpan, reflecting a dry wit, and is a continuous engagement with the subject of reality and of landscape as a snapshot of our interaction with the world.\u003c\/p\u003e\n\u003cp\u003eThis new edition of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis published as a facsimile of the original, adopting the original design, text layout and image sequence, but using new image files scanned from Ghirri’s original film to take advantage of modern technology and printing methods. A small booklet is included with an essay by Francesco Zanot, which offers a contemporary perspective on the historical impact of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKodachrome\u003c\/em\u003e, alongside French and German translations of the original texts from the book (which were published in English and Italian).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e‘The daily encounter with reality, the fictions, the surrogates, the ambiguous, poetic or alienating aspects, all seem to preclude any way out of the labyrinth, the walls of which are ever more illusory… to the point at which we might merge with them… The meaning that I am trying to render through my work is a verification of how it is still possible to desire and face a path of knowledge, to be able finally to distinguish the precise identity of man, things, life, from the image of man, things, and life.’\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eLuigi Ghirri\u003c\/p\u003e\n\u003cp\u003eBorn in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992.\u003c\/p\u003e\n\u003cp\u003ePhotography critic and curator Francesco Zanot has been working with some of the most renowned European and international photographers, including Alec Soth and Olivo Barbieri, for over 10 years. He has participated in multiple conferences and seminars on photography in different institutions such as Columbia University in New York and the American Academy in Rome. He is associate editor of Fantom, photographic quarterly magazine based in Milan and New York.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":41407693652156,"sku":"9781907946240","price":40.0,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":45911587815612,"sku":"9781907946240E","price":24.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/Kodachrome_Cover1_ac8eb86e-10e2-4ed9-94ea-097c2ae76c35.jpg?v=1771321691"},{"product_id":"blossom-br-ben-lerner-thomas-demand","title":"Blossom","description":"\u003cp\u003eThe texts and images presented here are part of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBlossom,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea collaboration between the artist Thomas Demand and writer Ben Lerner. The images relate to a detail from a photograph of Katherine Russell, widow of Tamerlan Anzorovich Tsarnaev leaving her home in Boston, that first appeared in the New York Times on 4 May 2013.\u003c\/p\u003e\n\u003cp\u003eThomas Demand’s work lures the viewer into a reality that is not what it appears to be. Carefully contrived from paper, these imaginary worlds are sculpted, photographed and destroyed. The traces which remain are events in which the protagonist is removed, scenes that are both familiar and out of reach. Demand’s work has been shown extensively across the world and is included in most of the significant private and institutional collections. Recent books include\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003ca href=\"https:\/\/mackbooks.co.uk\/collections\/frontpage\/products\/the-dailies-br-thomas-demand\"\u003eThe Dallies\u003c\/a\u003e \u003c\/em\u003e(MACK, 2012) and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eModel Studies\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(Ivory Press, 2011).\u003c\/p\u003e\n\u003cp\u003eBen Lerner is the author of three books of poetry:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Lichtenberg Figures, Angle of Yaw\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eMean Free Path,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eall published by Copper Canyon Press. He is the author of two novels,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eLeaving the Atocha Station,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003epublished by Coffee House Press, and\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e10:04,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eout this year from Faber \/ FSG. His recent writing on art and literature can be found in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eArt in America, Frieze, Harper’s,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe London Review of Books.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eHe has been a finalist for the National Book Award and has received Fulbright, Howard, and Guggenheim Fellowships, among other honors.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391552602300,"sku":"9781907946561","price":80.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":39391552635068,"sku":"9781907946561S","price":80.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/Blossom_Cover1.jpg?v=1742989727"},{"product_id":"a-handful-of-dust-second-edition-br-david-campany","title":"a Handful of Dust (Second Edition)","description":"\u003cp\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis David Campany’s speculative history of the last century, and a visual journey through some of its unlikeliest imagery. Let’s suppose the modern era begins in October of 1922. A little French avant-garde journal publishes a photograph of a sheet of glass covered in dust. The photographer is Man Ray, the glass is by Marcel Duchamp. At first they called it a view from an aeroplane. Then they called it Dust Breeding. It’s abstract, it’s realist. It’s an artwork, it’s a document. It’s revolting and compelling. Cameras must be kept away from dust but they find it highly photogenic. At the same time, a little English journal publishes TS Eliot’s poem\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Waste Land.\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e“I will show you fear in a handful of dust.”\u003c\/p\u003e\n\u003cp\u003eAnd what if dust is really the key to the intervening years? Why do we dislike it? Is it cosmic? We are stardust, after all. Is it domestic? Inevitable and unruly, dust is the enemy of the modern order, its repressed other, its nemesis. But it has a story to tell from the other side.\u003c\/p\u003e\n\u003cp\u003eCampany’s connections range far and wide, from aerial reconnaissance and the American dustbowl to Mussolini’s final car journey and the wars in Iraq.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ea Handful of Dust\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewill accompany Campany’s exhibition of the same name, curated for\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"ttp:\/\/en.le-bal.com\/fr\/mh\/les-expositions\/upcoming-exhibitions\/a-handful-of-dust\/\"\u003eLe Bal, Paris\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(16 October 2015 – 17 January 2016), with works by Man Ray, John Divola, Sophie Ristelhueber, Mona Kuhn, Gerhard Richter, Xavier Ribas, Nick Waplington, Jeff Wall and many others, alongside anonymous press photos, postcards, magazine spreads and movies.\u003ca href=\"http:\/\/aperture.org\/blog\/conversation-david-campany\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391559712956,"sku":"9781910164969","price":40.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":39391559745724,"sku":"9781910164969S","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/Handful_Cover1_4b7dfdf5-b5e6-454a-8a1d-31b60e352274.jpg?v=1749048888"},{"product_id":"the-complete-essays-br-luigi-ghirri","title":"The Complete Essays","description":"\u003cp\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Complete Essays 1973–1991\u003c\/em\u003e is a long-awaited collection of short, allusive texts on the curiosities of photography written by the great Italian artist, Luigi Ghirri. Ghirri's writings spiral outwards from his practice, intuitively exploring the subjects at the core of his images – the themes of identity, time, memory, vision, representation, and sense of place. With a taste for the eclectic, he interweaves references as varied as Prince, Dylan, Hendrix, McLuhan, Mallarmé, Gulliver, Eggleston, Evans, neo-realist film, Cézanne and Pessoa. Together, the essays offer a unique and comprehensive treatise on the history and theory of photography. Above all, they constitute a special form of autobiography for someone whose ironic wit and gentle style has trickled down to so much of contemporary photography.\u003c\/p\u003e\n\u003cp\u003eLuigi Ghirri (1943–1992) started writing about photography from the moment he became a photographer: for his own publications, for Italian magazines and newspapers, as well as private reflections committed to paper, where his thoughts would settle and then often depart in new directions. Born in Scandiano in 1943, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992. His first book, \u003ca href=\"https:\/\/mackbooks.co.uk\/products\/kodachrome-br-luigi-ghirri\"\u003eKodachrome\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(1978), an avant-garde manifesto for the medium of photography and a landmark in his own remarkable oeuvre, was re-published by MACK in 2012.\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391589367996,"sku":"9781910164143","price":27.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/GhirriCompleteEssay_Cover1.jpg?v=1742989687"},{"product_id":"pictures-from-home-br-larry-sultan","title":"Pictures from Home","description":"\u003cp\u003eFirst published in 1992 to wide critical acclaim,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePictures From Home \u003c\/em\u003eis Larry Sultan’s pendant to his parents. Sultan returned home to Southern California periodically in the 1980s and the decade-long sequence moves between registers, combining contemporary photographs with film stills from home movies, fragments of conversation, Sultan’s own writings and other memorabilia. The result is a narrative collage in which the boundary between the documentary and the staged becomes increasingly ambiguous. Simultaneously the distance usually maintained between the photographer and his subjects also slips in an exchange of dialogue and emotion that is unique to this work.\u003c\/p\u003e\n\u003cp\u003eSignificantly increasing the page count of the original book, this MACK design of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePictures From Home\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eclarifies the multiplicity of voices – both textual and pictorial – in order to afford a fresh perspective of this seminal body of work. Emphasising the cinematic motion of the family’s home videos, the Super-8 film stills have been newly digitised and magnified, with select scenes running full-bleed across double-page spreads. Meanwhile, Sultan’s photographs of his parents as they go about their daily lives – against the quintessential backdrop of the Reagan-era American dream – are supplemented with previously unpublished images. Most significantly, the book honours Sultan as the oft-hailed ‘King of Colour Photography’.\u003c\/p\u003e\n\u003cp\u003e\"What drives me to continue this work is difficult to name. It has more to do with love than with sociology. With being a subject in the drama rather than a witness. And in the odd and jumbled process of working, everything shifts: the boundaries blur, my distance slips, the arrogance and illusion of immunity falters. I wake up in the middle of the night, stunned and anguished. These are my parents. From that simple fact, everything follows.\" – Larry Sultan \u003c\/p\u003e\n\u003cp\u003eLarry Sultan (b. 1946, Brooklyn; d. 2009, California) grew up in California’s San Fernando Valley, which became a source of inspiration for a number of his projects. His work blends documentary and staged photography to create images of the psychological as well as physical landscape of suburban family life. Sultan’s work has been exhibited and published widely. Most recently, the Los Angeles County Museum presented a retrospective exhibition dedicated to Sultan. His photography is included in the collections of the Los Angeles County Museum of Art, the Art Institute of Chicago, the Museum of Modern Art, the Whitney Museum of American Art, the Solomon Guggenheim Museum, and the San Francisco Museum of Modern Art. Sultan served as a Distinguished Professor of Photography at California College of the Arts in San Francisco.\u003ca href=\"http:\/\/blog.photoeye.com\/2017\/12\/the-best-books-of-2017.html\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391607423164,"sku":"9781910164785","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover604_fe9b8b2d-89ab-482d-a64b-36dd507e83a0.jpg?v=1728656014"},{"product_id":"corbeau-br-anne-golaz","title":"Corbeau","description":"\u003cp\u003ePart memoir, part tableau,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a multi-layered narrative collage tracing life and death in the rural farm on which Swiss artist Anne Golaz grew up. Made over a twelve-year period and bridging three generations, the three-part book weaves together photographs, video stills and drawings, with texts by the author, screenwriter and playwright, Antoine Jaccoud, as well as the artist’s own writings. Jaccoud reconstructs transcripts of conversations between family members and memories recounted by the artist to build this intricate story of stories into a dramatalogical work. The protagonist of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis a young man seen in each chapter dutifully working on the farm. Gradually, however, his sense of duty appears to be instilled with doubt, a doubt that infuses the entire book.\u003c\/p\u003e\n\u003cp\u003eExploring themes of time, life, destiny and death,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCorbeau\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e– which takes its title from an enigmatic poem by Edgar Allan Poe – eludes a chronological order to picture a place in which the future is only reminiscent of the past. And where destiny is shaped in the claire-obscures nooks of childhood. In the artist’s words, the narrative construction exists ‘in a vacuum’, which tellingly offers a framework for both support and destruction. It is within such a circumscribed space that mixed feelings towards heritage arise.\u003cspan style=\"font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"English edition","offer_id":39391623774396,"sku":"9781910164747","price":45.0,"currency_code":"USD","in_stock":true},{"title":"English edition (signed)","offer_id":39391623807164,"sku":"9781910164747S","price":45.0,"currency_code":"USD","in_stock":true},{"title":"French edition","offer_id":39391623839932,"sku":"9781910164976","price":45.0,"currency_code":"USD","in_stock":true},{"title":"French edition (signed)","offer_id":39391623872700,"sku":"9781910164976S","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/Corbeau_Cover1_f16f9adf-40a8-42a3-b1b9-854a98849b08.jpg?v=1742989660"},{"product_id":"what-the-living-carry-br-morgan-ashcom","title":"What the Living Carry","description":"\u003cp\u003e\u003cem\u003eWhat the Living Carry\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eunveils a small town named Hoy’s Fork, situated in the American South. Drawing on memories of the rural setting in which he grew up, Virginian photographer Morgan Ashcom brings together photographs, type-written letters and a hand-drawn map to build a fictional narrative of a foreboding place.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLeading us on a trail through the town and its surrounding forest, Ashcom presents scenes that point to a mysterious history, and people whose familial connections remain unknown: a forlorn old man, with champagne to hand, reclines on the corroding steps of a once grand home; a bloodied mattress is carried through an overgrown field; a solitary child burrows into a meadow, while on the streets, a man dutifully cleans a white picket fence – a vision that belies a local mural of a distant, ancient land.\u003c\/p\u003e\n\u003cp\u003eInterspersing this fragmented narrative is a set of texts – four letters responding to ‘Morgan’s’ request for DNA analysis – written by ‘Eugene’ of the ‘Center for Epigenetics and Wellness of the Spirit’. If\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWhat the Living Carry\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eprovides a set of clues to unravel the enigma behind this strange world, it is through a visual record that is simultaneously autobiographical and imagined, and inclined to elude. \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391624986812,"sku":"9781910164938","price":40.0,"currency_code":"USD","in_stock":false},{"title":"Signed","offer_id":39391625019580,"sku":"9781910164938S","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover32_1c7f3aac-38c2-4053-b6af-8d38babb882d.jpg?v=1718611358"},{"product_id":"war-primer-2-paperback-br-adam-broomberg-oliver-chanarin","title":"War Primer 2 [paperback]","description":"\u003cp\u003eOriginally released in 2011 as a limited edition hardback, this paperback edition is a facsimile of the book which earned Adam Broomberg and Oliver Chanarin the 2013 Deutsche Börse Photography Prize.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWar Primer 2\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eappropriates the first English-language version of Bertolt Brecht’s remarkable 1955\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eKriegsfibel\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ein which Brecht combined press photographs from the World Wars with four-line poems. Compiled intermittently over three decades, Brecht’s book was a visual and lyrical attack on war and its propagandists under modern capitalism. Shifting the critique to contemporary narratives perpetuated by the so-called 'War on Terror', Broomberg and Chanarin strategically overlay the pages of Brecht’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWar Primer\u003c\/em\u003ewith images culled from the internet and generated by the actors, propagators and reporters of the contemporary conflict.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eUnderlying this junction of two visual histories is a profound skepticism of mass media images.\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWar Primer\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003enotably drew attention to the didactic role of photojournalism that served war’s callous profiteers. The title deliberately recalled textbooks used to teach primary school children how to read, and the book, which used razor-sharp words to dismantle visual messages, effectively served as a manual, demonstrating how to “read” or “translate” press photographs – images that Brecht referred to as hieroglyphics in need of decoding.\u003c\/p\u003e\n\u003cp\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWar Primer 2\u003c\/em\u003e, Brecht’s pithy poems and choice of 20th-century images – bombed-out cities and battlefronts, Hitler and his henchmen, and wounded soldiers and refugees, among them – take on new implications when shrewdly juxtaposed with digital images and video screenshots of the Twin Towers attacks, torture in the Abu Ghraib jail, the execution of Saddam Hussain, and George W. Bush proudly offering up a Thanksgiving Day Turkey. When the artists' book was first published it raised pertinent questions concerning the historical, political and social currency of mass-media images generated by conflict. Now, in an age of “fake news”,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWar Primer 2 \u003c\/em\u003eprobes the power of images not only to narrate but also to create history.\u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/broomberg-chanarin-at-pompidou-an-impious-exhibition\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":39391631179964,"sku":"9781912339143","price":40.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":39391631212732,"sku":"9781912339143S","price":40.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/WarPrimer2_Cover1.jpg?v=1742989646"},{"product_id":"the-camera-essence-and-apparatus-br-victor-burgin","title":"The Camera: Essence and Apparatus","description":"\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eEbook available via this listing, on \u003ca href=\"https:\/\/geo.itunes.apple.com\/us\/book\/the-camera-essence-and-apparatus\/id6451381160?ls=1\" style=\"color: #2b00ff;\"\u003eApple Books\u003c\/a\u003e and \u003ca href=\"https:\/\/books2read.com\/u\/boqneZ?store=amazon\" style=\"color: #2b00ff;\"\u003eKindle Store\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eVictor Burgin is one of the most influential artists and writers working today. He came to prominence as a key figure in the Conceptual Art of the late 1960s. After turning to photography in his artistic practice he produced a series of groundbreaking theoretical essays that drew on semiotics, psychoanalysis and feminism in order to think through the ideological role of photographs in the production of beliefs and values, and in the understanding of memory, history, subjectivity and space.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn the last decade or so, Burgin has worked with computer-generated imagery and the virtual camera. But rather than accepting a radical divide between so-called ‘analogue’ and ‘digital’ realms, Burgin has emphasised the continuity of the virtual camera, the various physical cameras in use today, and the painted images of Quattrocento painting – all of which have their essence in the perspectival system of representation. Further to this, Burgin argues that no image is merely an optical experience – all images are essentially psychological events and thus virtual also. Inseparable from language, they form the psychical spaces of fantasy and projection, recognition and misrecognition. Whether on pages, walls or screens, in galleries or online, single views, or swarms of picture fragments, images are the making and unmaking of our sense of self, and the world around us.\u003c\/p\u003e\n\u003cp\u003eThis collection brings together for the first time Victor Burgin’s writings related specifically to the camera, following the shifts and nuances in his thinking over nearly five decades. Moreover, it allows us to chart the evolution of what the camera was and is, and how its affects are to be understood. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":39391638585532,"sku":"9781912339068","price":23.0,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":45911594664124,"sku":"9781912339068E","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/TheCamera_Cover1.jpg?v=1771321889"},{"product_id":"the-polish-rider-br-the-polish-rider","title":"The Polish Rider","description":"\u003cdiv class=\"notbold\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"notbold\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn the winter of 2015, Ben Lerner wrote a short story,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Polish Rider\u003c\/em\u003e, incorporating fictionalized elements of the life and work of the artist, Anna Ostoya, who had recently lost two of her canvases in the back of an Uber. As the narrator of the story helps the artist search for the missing canvases, he fantasizes about “recuperating the lost paintings through prose,” about how the verbal might take the place of the visual. After the story was published in The New Yorker, Ostoya painted the painting Lerner had invented based on her earlier work, transforming the fiction without changing any of the words. Ostoya went on to produce a series of compositions that respond to the story she’d helped inspire.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Polish Rider\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the result of this ongoing conversation across media and genres. In addition to the story, this volume includes an essay by Lerner that describes how Ostoya’s actual body of work catalyzed the fiction, as well as the contingencies and uncanny correspondences that have shaped their exchange. Ostoya’s compositions — both those that prompted Lerner’s writing and those that take it up — are never merely illustrative. Instead, they keep literature from having the last word. In this unclassifiable volume, the boundaries between fact and fiction, original and reproduction, text and image, flicker as you read and look.\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":39391650709692,"sku":"9781912339013","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/ThePolishRider_Cover1.jpg?v=1742989621"},{"product_id":"cinque-viaggi-1990-98-br-guido-guidi","title":"Cinque Viaggi, 1990-98","description":"\u003cp\u003eBetween 1990 and 1998, Guido Guidi made five separate trips to Milan and its surrounding areas. \u003cem\u003eCinque viaggi\u003c\/em\u003e brings together the photographs made there, forming an investigation of one city and its peripheries in the throes of economic and social transformation. As Guidi follows the canal from out in the suburbs toward the city centre, his attention and visual language move from the vernacular to the metropolitan, from wider horizontal views to vertical ‘cuts’ in the urban fabric, from entire buildings and scenes to glimpsed façades and doorways. Along the way, we also encounter inhabitants: a group of young men gathered in a Pasolini-like scene on a bridge in the city’s outskirts; occasional passers-by working, shopping, or stopping to smoke on the city streets; disconnected couples and disparate individuals whose loose citizenship coheres the urban sprawl.\u003cspan\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eWhile previous books, such as \u003cem\u003ePer Strada\u003c\/em\u003e (2018) and \u003cem\u003eTra l'altro\u003c\/em\u003e (2020), demonstrated Guidi’s fascination with the rural and small-town landscapes of his native region, \u003cem\u003eCinque viaggi\u003c\/em\u003e turns to metropolitan Italy, documenting the dramatic socio-economic changes that have transformed it over the course of the nineteenth and twentieth centuries. Remnants of rural civilisation and traces of urban expansion are embedded among the first signs of de-industrialisation. These 110 large-format works, many of which have never been seen before, reveal the layers of social and architectural history among which everyday life unfolds. \u003cem\u003eCinque viaggi\u003c\/em\u003e offers an arrestingly subtle picture of Italy's recent past and rumination on its future.\u003c\/p\u003e\n\u003cp\u003eWith essays by Corrado Benigni, Antonello Frongia, and Roberta Valtorta.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAccompanies an exhibition presented by Fondazione MIA \u003cspan data-mce-fragment=\"1\"\u003eat the Monastero di Astino, \u003c\/span\u003eBergamo, Italy from 11 June – 30 September 2021.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/AlUQ-uGMJFk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e","brand":"MACK","offers":[{"title":"Unsigned","offer_id":40433461330108,"sku":"9781913620325","price":65.0,"currency_code":"USD","in_stock":true},{"title":"Signed","offer_id":40433461362876,"sku":"9781913620325S","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover556.jpg?v=1770426926"},{"product_id":"i-saw-the-air-fly-br-sirkhane-darkroom","title":"i saw the air fly","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eIn Southeastern Turkey, just kilometres from the Syrian border, is Sirkhane: a mobile darkroom which travels from village to village teaching children how to shoot, develop, and print their own photographs. Led by Serbest Salih, a young photographer and Syrian refugee, the darkroom is founded on a fundamental belief in photography as a universal and therapeutic language, and encourages children living in the area — many of whom are themselves refugees from Syria and Iraq — to experiment with the medium as both a form of play and a means of understanding the world around them.\u003cbr\u003e\u003cbr\u003eIn these images, produced by the project’s young participants, the city of Mardin and the vast Mesopotamian plain beyond become a backdrop to the miraculous dreams, games, and discoveries which play out within the space of the frame. In occasional moments, the war nearby is hinted at: a fighter plane enters the frame of an otherwise clear sky; a child peers out from inside a UNHCR box. But rather than reiterating scenes of suffering and trauma, these images depict their environment afresh through the unmistakable, wonder-filled gaze of a child: a vision punctuated by surprise and play, in which friends and family are captured mid-flight, upside down, leaning out of windows, and whimsically disguised.\u003cbr\u003e\u003cbr\u003eFull of laughter and joy,\u003cem\u003e i saw the air fly\u003c\/em\u003e is testament to the unfailing resilience of the imagination, the healing power of photography, and the enchanting perspective of childhood.\u003cbr\u003e\u003cbr\u003eAll proceeds from this publication will go to the Her Yerde Sanat-Sirkhane non-profit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iYYT9GuqaHg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40434526453948,"sku":"9781913620370","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover591.jpg?v=1776770759"},{"product_id":"gold-custody-br-barbara-bloom-ben-lerner","title":"Gold Custody","description":"\u003cdiv\u003e\n\u003cp\u003eBarbara Bloom and Ben Lerner share a fascination with intricate dramas of framing and reframing: what happens to an image or a phrase when it is re-encountered, recontextualized, recombined — when a particular frame of reference is established or collapses? How is meaning accrued or eroded through repetition, across pages or generations? How are images or sentences enlisted in — or suddenly freed from — the construction of our personal and collective mythologies?\u003cbr\u003e\u003cbr\u003eIn this collaborative book, bringing together Bloom’s artworks and Lerner’s prose poems, these questions are rendered beautiful as they are sensitively felt, veering between the promises of abstraction — ‘the showroom of grammar, its glitter and ghosts,’ collective nouns, songs without lyrics that everyone can sing — and verbal and visual languages of extreme privacy. Other topics include: false fathers, lice, stone fruit, Casper Rappaport, color words, alephs, forever stamps, and Goethe’s corridor.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/IwmFDrFNv6g\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40448271679676,"sku":"9781913620462","price":40.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover616.jpg?v=1776770810"},{"product_id":"indeterminacy-thoughts-on-time-the-image-and-raceism-discourse-008-br-david-campany-stanley-wolukau-wanambwa","title":"Indeterminacy: Thoughts on Time, the Image, and Race(ism)","description":"\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eEbook available via this listing, on \u003ca style=\"color: #2b00ff;\" href=\"https:\/\/geo.itunes.apple.com\/us\/book\/id6445454923\"\u003eApple Books\u003c\/a\u003e and \u003ca style=\"color: #2b00ff;\" href=\"https:\/\/books2read.com\/u\/3LNE97\"\u003eKindle Store\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn a series of written exchanges, David Campany and Stanley Wolukau-Wanambwa consider the options for photography in resisting the oppressive orthodoxies of racial capital, conservative history, and neoliberal visual culture. 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These urgent questions and more are discussed in a spirit of speculation and possibility, in the light of signal events that have shaped the recent past.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDISCOURSE is a series of small books in which a theorist, artist, or writer engages in a dialogue with a theme, an artwork, \u003c\/span\u003e\u003cspan\u003ean idea, or another individual across an extended text. \u003c\/span\u003e\u003cspan\u003eExplore\u003c\/span\u003e\u003cspan\u003e the full series \u003ca href=\"https:\/\/mackbooks.us\/collections\/discourse\"\u003ehere\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":40460226953404,"sku":"9781913620486","price":20.0,"currency_code":"USD","in_stock":false},{"title":"Ebook","offer_id":44182289514684,"sku":"9781913620486E","price":9.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/DISCOURSE_19.jpg?v=1770426973"},{"product_id":"good-hope-br-carla-liesching","title":"Good Hope","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cspan class=\"s1\"\u003eShortlisted for the \u003c\/span\u003eParis Photo–Aperture PhotoBook Awards 2022\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn \u003cem\u003eGood Hope\u003c\/em\u003e, Carla Liesching constructs a fragmented visual and textual assemblage that orbits around the gardens and grounds at the Cape of Good Hope in South Africa — a historic location at the height of Empire, now an epicenter for anti-colonial resistance movements, and also the place of the artist’s birth. Named by the Portuguese in their ‘Age of Discovery’, the Cape’s position at the mid-point along the ‘Spice Route’ was viewed with great optimism for its potential to open up a valuable maritime passageway. The ‘refreshment station’ later established there set into motion flows of capital from ‘east’ to ‘west’. Good Hope brings together cumulative layers of documentary prose, personal essay, and found photographic material, along with sources ranging from apartheid-era trade journals, tourist pamphlets, and National Geographic and Life magazines, to contemporary newspapers and family albums. It offers both an intimate and critical examination of White supremacist settler-colonialism in the present, and a questioning of the ethics and politics involved in the very acts of looking, discovering, collecting, codifying, preserving, naming, knowing, and putting to language.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e \u003cspan style=\"color: #000000;\"\u003e\u003cspan color=\"#ff2a00\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YznIGSbjh8o\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Default Title","offer_id":40500858814652,"sku":"9781913620424","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/cover648.jpg?v=1776770799"},{"product_id":"dark-mirrors-br-stanley-wolukau-wanambwa","title":"Dark Mirrors","description":"\u003cp\u003e\u003cspan style=\"color: #2b00ff;\"\u003e\u003cstrong\u003eEbook available via this listing, on \u003ca href=\"https:\/\/geo.itunes.apple.com\/us\/book\/id6449427708\" style=\"color: #2b00ff;\"\u003eApple Books\u003c\/a\u003e and \u003ca href=\"https:\/\/books2read.com\/u\/m2qdQo?store=amazon\" style=\"color: #2b00ff;\"\u003eKindle Store\u003c\/a\u003e.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e‘\u003cstrong\u003eStanley Wolukau-Wanambwa’s brilliant book offers a radical understanding of the presence of race and its structuring effect on the photographic imaginary and space ... The book calls its readers to play an active role at the intersection between the making of photographic images and their public life.\u003c\/strong\u003e‘ \u003cem\u003eAriella Aïsha Azoulay\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e‘\u003cstrong\u003eWolukau-Wanambwa looks as carefully at the work of image makers as he does at the places, communities, cultures and economies they inhabit ... These are essays to live with, and to re-read.\u003c\/strong\u003e‘ \u003cem\u003eDavid Campany\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e‘\u003cstrong\u003eFree, radical and sometimes brutal, the verdict proposed by Stanley Wolukau-Wanambwa is irrevocable.\u003c\/strong\u003e‘ \u003cem\u003e1000 Words\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e‘\u003cstrong\u003e[Wolukau-Wanambwa] connects [his] questioning with pressing political, social and ecological concerns that constitute the world’s ongoing state of crisis.\u003c\/strong\u003e’ \u003cem\u003eL’Oeil de la Photographie\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e‘\u003cstrong\u003eIf there’s anything that unites [these essays] it’s an interest in the shifting ways images shape contemporary dialectics—especially around race—and how artists observe, probe, and unpack that process.\u003c\/strong\u003e’ \u003cem\u003eArtnet\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"\"\u003e\n\u003cem\u003eDark Mirrors\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eassembles sixteen essays by photographer and critic Stanley Wolukau-Wanambwa focusing on contemporary fine art photographic and video practices that are principally, though not exclusively, rooted in the United States, written between 2015 and 2021. Wolukau-Wanambwa analyses the image’s relationship to the urgent and complex questions that define our era, through the lens of artistic practices and works which insightfully engage with the ongoing contemporaneity of disparate histories and the ever-changing status of the visual in social life.\u003cbr\u003e\u003cbr\u003eThe book sets out an argument that one of the most dynamic sites of artistic invention in photographic practice over the past decade has been the photographic book, and thus many of the essays in the volume assess artistic works as they are bodied forth in that form. Among the recurrent themes that emerge from these rigorous, probing essays are the complex interrelationship of anti-blackness and visuality, the fragility and complexity of embodied difference in portraiture, the potency of verbal and visual media as social forms, and the politics of attention.\u003cbr\u003e\u003cbr\u003eWith essays on Deana Lawson, Dana Lixenberg, Paul Pfeiffer, Arthur Jafa, Katy Grannan, and Robert Bergman among others. \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"color: #000000;\"\u003ePaperback with flaps\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"color: #000000;\"\u003e14 x 22.8cm, 240 pages\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eISBN \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e978-1-913620-39-4\u003c\/span\u003e\u003cbr\u003eOctober 2021\u003cbr\u003e€30 £25 $35\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLOOK INSIDE\u003cbr\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-jnIHRm4UsA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"MACK","offers":[{"title":"Paperback","offer_id":41378096218300,"sku":"9781913620394","price":35.0,"currency_code":"USD","in_stock":true},{"title":"Ebook","offer_id":45911585816764,"sku":"9781913620394E","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0553\/5950\/4572\/files\/DarkMirrors_59d50fc6-2f87-41ee-b17f-9c73a846d620.jpg?v=1771440494"},{"product_id":"glitter-in-my-wounds-br-adam-broomberg-caconrad-gersande-spelsberg","title":"Glitter in My Wounds","description":"\u003cp class=\"p1\"\u003eThe result of a series of chance encounters, \u003cem\u003eGlitter in My Wounds\u003c\/em\u003e embraces accident and improvisation in the face of the restrictive categories that pervade art and life. The book is shaped around a series of portraits of the transgender activist and actress Gersande Spelsberg made by the artist and educator Adam Broomberg. \u003cspan data-mce-fragment=\"1\"\u003eSpelsberg sat for Broomberg and together they made 100 photographs, shot on 5”x4” negative and lit only using the sun and mirrors –– the same distinctive lighting technique employed in Helmar Lerski’s remarkable series ‘Metamorphosis Through Light’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSpelsberg’s story of transitioning reflects on and questions the many toxic pre-existing conditions that shape contemporary gender roles. 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While these large-format color photographs are made all over the world, they aren’t about any particular place or population. \u003c\/span\u003eBy a process of intimate and often extended engagement, Soth’s portraits and images of his subject’s surroundings involve an enquiry into the extent to which a photographic likeness can depict more than the outer surface of an individual, and perhaps even plumb the depths of something unknowable about both the sitter and the photographer.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“After the publication of my last book about social life in America, \u003cem\u003eSongbook\u003c\/em\u003e, and a retrospective of my four, large scale American projects, \u003cem\u003eGathered Leaves\u003c\/em\u003e, I went through a long period of rethinking my creative process. For over a year I stopped traveling and photographing people. I barely took any pictures at all.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhen I returned to photography, I wanted to strip the medium down to its primary elements. Rather than trying to make some sort of epic narrative about America, I wanted to simply spend time looking at other people and, hopefully, briefly glimpse their interior life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn order to try and access these lives, I made all of the photographs in interior spaces. While these rooms often exist in far-flung places, it’s only to emphasize that these pictures aren’t about any place in particular. 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