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The Pacific to San Bernardino: Nigel Raab on his 72.5 mile walk across Los Angeles

The Pacific to San Bernardino: Nigel Raab on his 72.5 mile walk across Los Angeles

On the surface streets, the monotony of the highway has no home. I walked from predominantly white to African American to Hispanic neighborhoods where the Spanish language was the local currency. West of the Los Angeles River, these tightly packed neighborhoods were a mix of urban and suburban. I passed just north of the intersection at Normandie and Florence, the site of riots in 1992; two decades later, the external wounds were invisible in the neighborhood.

The Pacific to San Bernardino: Nigel Raab on his 72.5 mile walk across Los Angeles

Jörg Colberg on neoliberal realism in photography

For the most part, the photographs are staged, often very elaborately (there are occasional candid photographs). This is especially true for the photographs that regularly make it on to the covers of Vanity Fair or Vogue. They are in colour, somewhat desaturated, typically each with a very specific overall tone. They resemble what we have come to expect from Hollywood movies or TV productions, which often use an overall blueish or greenish atmosphere. As a consequence of these colour choices, skin tones are, for the most part, very far from what real skin looks like. The photograph’s heavy artifice is apparent.
The Pacific to San Bernardino: Nigel Raab on his 72.5 mile walk across Los Angeles

On punks and privatisation: Paul Graham reflects on his 1980s photographs in 'A1: The Great North Road'

These photographs, now four decades old, seem clearly stained with a sentiment for the country, or at least the country-of-my-mind. Then again, aren’t they all countries of our minds? Isn’t that the issue here? The lands we ‘live in’, their meaning and narratives are mostly a web we spin, stories we tell ourselves of history, identity, heritage, ‘character’ — these are the cloth in which we wrap ourselves, to explain or justify entrenched attitudes and political viewpoints.

The Pacific to San Bernardino: Nigel Raab on his 72.5 mile walk across Los Angeles

Duncan Forbes: A Self-Portrait of the Artist as a Young Man

In late 1972, shortly after his twenty-seventh birthday, Lewis Baltz conducted an interview . . . with himself. The immediate spur for this unwonted act of self-inquiry is unclear, although it came at a moment when the artist was beginning to receive national attention for his photography. A typed transcript of the interview, which was never published, has recently surfaced, having been handed on at the time by Baltz to one of his students, Laurie Brown.
The Pacific to San Bernardino: Nigel Raab on his 72.5 mile walk across Los Angeles

Her Mistakes Were Her Successes

Mrs. Cameron has carried the art of photography to a more poetic degree of perfection than any other photographer whose works have come under our notice. No other artist with whom we are acquainted has combined with such absolute mastery over the technic resources of the art so refined a taste and so large an amount of genuine artistic feeling.