The Adventures of Guille and Belinda and The Enigmatic Meaning of Their Dreams (First edition, signed)
Alessandra Sanguinetti
MACK
For more than two decades, Alessandra Sanguinetti has been photographing the lives of Guillermina and Belinda, two cousins living in rural Argentina, as they move through childhood and youth toward womanhood. This volume, originally published in 2010 and reissued now as the first instalment of a trilogy, chronicles the first five years of their collaboration. Sanguinetti’s images portray a childhood that is both familiar and exceptional. The farmlands of western Buenos Aires province are a particular mix of the modern and traditional, where life is lived in consonance with animals and rugged landscapes. Against this backdrop, Guille and Belinda go through the childhood rites of dressing up and make believe, exploring and appropriating the world around them as they go. As they slip between roles, alternately performing for and being caught by Sanguinetti’s camera, the profound bond between the two girls is unmistakable. Approaching the precipice of early adolescence, their games are imbued with the poignant weight of their dreams and desires as the world of play meets that of reality. By depicting the lives of women and girls within the conventionally masculine world of Argentinan gauchos and farmers, Sanguinetti’s book interrogates the frameworks of mythologies of all kinds, honouring lives that are usually unseen. The Adventures of Guille and Belinda is a portrait of rural childhood at once quiet and poetic, in which the fantastic and the mundane are intimately entwined.
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Embossed linen hardback with tip-in
28 x 28cm, 120 pages
The signed edition includes an extra image plate signed by the artist and glued into the inside back cover.
‘Sanguinetti’s photographs reveal a profound depth and tenderness in the girls’ friendship while capturing the extremes of life in Argentina: their world is alternately mundane and fantastical, brutal and thrilling.‘ The Financial Times
‘There is a cinematic quality in her work that, nuanced by a very particular use of natural light, returns the viewer to the real world without turning off the magic, emphasizing its degree of intimacy and poetry.‘ El País
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